Andrea Morucchio (Venice 1967) After receiving a degree in Political Science from the University of Padua, Andrea Morucchio began his photographic career in 1989. Since the end of the ’90s, he has expanded his own linguistic research – often based on considerations of a socio-political nature – in various directions, from sculpture to installation, from video to photography and performance. In his dazzling career, Morucchio has practised the most diverse instruments and genres of contemporary artistic research, using the new media of visual communication in a prestigious way, adapting them each time to his own ideas and existential experiences. He has been able to see with new eyes, even managing to hybridise different languages into a magnificent material and expressive composite – through refined alchemy and mental subtleties: figures, sounds, gestures, words, but remaining, despite the variety of formal solutions, coherent with the instances of a thought of the image, of the image of nature and life, of things and the world, investigating with equal inexorable lucidity, both the recesses of the psyche and the dramas of existence. His works are preserved in the Museo del Vetro / Glass Museum, Murano, Musei Civici, Venezia, in the Museum of Old and New Art, Hobart, Australia in the Provenance Collection, Tacoma, in the Durjoy Bangladesh Foundation, Dhaka, at MUPA Museo del Paesaggio, Torre di Mosto, and at Islington Collection, Hobart.