To create the interactive immersive experience, a bronze sculpture was scanned that was part of Grosse’s iconic solo show IT WASN’T US at Hamburger Bahnhof in Berlin earlier this year. Her exhibition, a kaleidoscopic painting brought together colours and forms, natural and man-made surroundings, and its visitors as participants in an all-encompassing, pulsating interaction of hues. As a pictorial ground for her work the artist has used – besides the bronze sculpture – the floor of the museum, the façade of the Rieckhallen as well as Styrofoam elements, which were shaped and scaled to their ultimate dimensions in several steps. Now the viewers themselves can scale the digital sculpture and explore its shape from all angles. The underlying sound loop amplifying the movement and shatter of the sculpture was composed by the artist and Stefan Schneider.