Certificate of Authenticity
Gretchen Andrew
Best MFA (grow)
Details
Production year
2020
Object type
Painting
Dimensions
36 × 24 inches
Medium
Charcoal, golf score card, bottle opener, and raffle tickets on canvas
Production Location
USA
Location
London
Certificate of Authenticity
Our patented certificates are designed to evolve over time, unlike paper certificates. All changes to the certificate are registered on the blockchain, proving a clear and trusted timeline of the certificate’s evolution.
Verified issuer
Creator authorized
Physical link
Created by
Gretchen Andrew, 1988
Signed by
Certificate Signature
Issued by
Gretchen Andrew
Owned by
Private
History
Transferred
Jun 4 2022 12:23:52 UTC
Creator name updated
Nov 25 2021 15:44:37 UTC
Signature image optimized
Mar 9 2021 18:52:41 UTC
Transferred
Mar 2 2021 17:02:42 UTC
Upgraded
Feb 18 2021 18:35:31 UTC
Created
Feb 18 2021 16:19:18 UTC
Notes
Notes from Creator
ABOUT “BEST MFA” Continuing Gretchen’s hack of major art world institutions, taking poetics from time in quarantine, and continuing her use of Sarah Thornton’s Seven Days in the Art World as her guide, this work is on its way to being a top image for the search “best MFA.” Instead of the “traditional path” of arts education, this work explores time, money, and life experience not spent on formal arts education, the artist considering life, love, loss, friends, travel, Russian novels, political engagement, drugs, disappointment, and mentors a great education. This works brings to life Gretchen’s vision of a career and artworld. In an interview with The Museum of Contemporary Digital Art Gretchen said: “I also realised that I needed to build my own team...I’ve thought a lot about the job description of everyone involved in my work; gallerists, curators, and even collectors. I tell everyone I work with or am considering working with that my career is a table, a rustic dining table that hosts 3-hour dinners with lots of wine. If you’re not going to thrive in that environment, you’re probably not the right person for me and my work. Having the confidence to say “no” is imperative. In my practice, I accrue and use power in a nontraditional way, and in my career I do the same thing. The vision I am working towards on my canvases is as firm as the one I am making for my market and community.