Certificate of Authenticity
Enam Gbewonyo
Re-asserting the black feminine
Description

This work forms part of the exhibited series of works 'Nude Me / Under the Skin : A Transcendence', Gbewonyo's first solo show. Exhibited at TAFETA Gallery in the summer of 2021, Gbewonyo presented textural and sculptural works that continued her exploration of black women’s femininity as it intersects with the history of the hosiery garment.
However with this exhibition Gbewonyo extends further into the healing work she incites in her performances whilst becoming ever connected to her personal journey of growth in that year.
Going within, to self and the infinite space as a pathway to unravelling the mechanisms of generational trauma, rediscovering ancestral connections to the mothers and opening portals to source.
Evoked through a variety of textural works, these are pathways arrived at through performative acts of making that took place over a number of months. Through knitting, stitching, painting, collaging and embroidery, Gbewonyo makes statements of action that restore the black feminine to a transcendent space far beyond the conscious being.

Exhibition History :
2022 | Temporary Atlas | MOSTYN | Wales, UK
2022 | Temporary Atlas | Fondazione Imago Mundi – Gallerie delle Prigioni | Treviso, Italy
2021 | Nude Me/Under the Skin: A Transcendence | TAFETA Gallery | London, UK

Details
Production year
2021
Object type
Mixed Media
Dimensions
42 × 29.5 × 1.5 cm
Medium
used tights, cotton thread and metallic thread on used empty canvas frame
Production Location
United Kingdom
Location
Lagos, Nigeria
Certificate of Authenticity
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Verified issuer
Creator authorized
Physical link
Created by
Enam Gbewonyo, 1980
Signed by
Certificate Signature
Issued by
Enam Gbewonyo
Owned by
Private
History
Edited
Feb 27 2023 12:30:57 UTC
Created
Feb 27 2023 12:27:11 UTC