The Flowers Are Dyin’ Like All Things Do by Willem Boronski, created with acrylic and charcoal, captures a melancholic stillness where abstraction and figuration merge. The dominant white and grey tones evoke transience, while expressive black lines suggest skeletal structures dissolving into space. Charcoal streaks, intentionally left visible, resemble aeroplane contrails, adding a fleeting dynamism. Amid the fading forms, subtle green hints emerge—a sign of life within decay. This contrast between disappearance and survival reflects Boronski’s themes of transition and the cycle of existence, inviting the viewer to contemplate impermanence while glimpsing hope in the remnants of colour.