This unique digital painting originates from Rhizome’s Seven on Seven 10th Edition at the New Museum which I worked on with Carl Tashian. Carl wrote a Photoshop script which gently cycles through layers of my painting file. Since 2010, I have been painting in Photoshop in a method where almost every brushstroke you see is on its own layer. The script subtly animates the framework of the brushstrokes and architecture of the painting and reveals different versions. This is an ongoing theme in my work exploring the fluid relationship between painting and video.